Eight real projects, with the real videos.

Breil Velour is a pure commercial, made entirely with AI: fifteen seconds built entirely in macro, from the automatic movement to the bracelet, right through to the final claim that gives the piece its title — Don't touch my Breil. No story, no characters: the material is the only protagonist.

An institutional documentary for the 25th anniversary: the goldsmith's gesture, gold returning to form after being raw material, the faces of the people who work in the shop every day. Not a product in a window, but a craft told by the people who actually practice it.

Eighty years of a logistics company told through its archive: historic photographs, documents, the headquarters changing shape over time, right through to the award ceremony and the aerial view of today's operations center. A work of reconstruction more than of shooting — the archival material is the real scene.

Nouvelle, the art of beauty is a fashion short film in midnight-blue tones: an artist painting a portrait, a model at the water's edge, hands stained with paint, the city's architecture in the background. The final claim — Be your own icon — closes a film that speaks more of identity than of product.

Ariaviva is told entirely outdoors, in a mountain setting: trails in the mist, moss on rock, a sunset over an alpine lake. The bottle appears only a few times and always immersed in the nature it represents — never isolated on a white surface.

Milk & Strawberry works entirely in soft natural light: a model in a strawberry field, milk poured into a ceramic bowl, a handmade soap held like a found object, not a purchased one. The pace is deliberately slow — a film meant to be watched without hurry, like the product it tells the story of.

Controvento isn't a commissioned job: it's a project of our own, an exercise in directing and 3D character animation. A boy and his winged companion cross a landscape that keeps changing — from cherry blossoms with Mount Fuji in the background, to a mountain covered in snow. It's the kind of work we do to keep the part of NNZN that doesn't answer to a brief in shape.

Born from a very simple idea, discussed out loud before we even opened a single tool: telling the story of how hard it is to really switch off during summer, when even the break becomes another thing to organize. The last day of work, the car ride home, the radio turned up a little more — not a story with a plot, but a dialogue with yourself made of images.